Studies of witchcraft often centre on groups of witches or spirits, the Salem witch trials, the Pendle and Samlesbury witches or even the Loudun possessions in 17th century France. Persecution and superstition of witchcraft began to fade towards the end of the 18th century, yet the concept of spirits and possession which were often associated with witchcraft began to be overruled by notions of deviation, criminality and manipulation. One example of individual witchcraft is the extraordinary life of the “Yorkshire Witch”, the creator of “The Prophet of Leeds Hen Hoax”, the serial thief and convicted murderer of Rebecca Perigo.
The title for this post is an amalgamation of one of my favourite novels (a text set in York, it’s by Kate Atkinson, you need to read it) and one of my recent museum projects. The purpose of this post is fundamentally the latter; I just needed to use the pun…
I originally wrote this post two years ago, but recently I had been thinking about the Hedy Lamarr and wanted to do further research into her brilliant mind and life. Coincidentally “Hollywood’s Brightest Bombshell: The Hedy Lamarr Story” was aired on the same day I had thought about Hedy (with no knowledge that the documentary was going to be on) – so I have edited this post a little to add new information learnt about Hedy! – The documentary is fabulous, I suggest you all watch it.
I have various historical interests and for my MA dissertation I decided to integrate my different interests and academic skills – focusing on the medical effects of dress reform and also putting a philosophical spin on it! The focus of my dissertation was the life and work of Madame Roxey Ann Caplin, a Canadian born writer and corset maker (or stay-maker, as Madame Caplin stated) who worked at 58 Berners Street, London throughout nearly the entire 19th Century. She was born in 1793 and died on the 2nd August 1888 – her long life was full of innovation, inspiration and individualism.